Sara Gold is a rising star at the United Animal Protection Agency (UAPA), a major animal rights organization that conducts animal rescues and lobbies for better animal welfare laws. Handpicked for a major assignment, Sara goes undercover as a college intern to infiltrate a suspected "puppy mill" run by the enigmatic Daniel Holloway.

Beatle is a quirky loner who refuses to live by society's rules. Her business cards read "Towing/Assassination," and she even has a hit man infomercial to go along with it. Her only human contact is with her psychiatrist and the stripper/hooker she employs once a week. Everything changes the night she meets Athena Klendon, a suicidal blonde with a secret. With a demented killer on their tail, courtesy of Athena's crooked former employer, the two quickly strike a bargain. Athena will change her life insurance policy to reflect Beatle as the beneficiary in exchange for her own execution. And while they wait for the paperwork to come through, Beatle will provide room and board and get some extra help on her infomercial. The two have no idea that Detective Holt has been on their case reviewing their every move. Just when he thinks he's got Beatle pinned beyond a shadow of a doubt, this comedic mystery takes a wild and unexpected turn.

Michael King (Shane Johnson), who doesn't believe in God or the Devil. Following the sudden death of his wife, Michael decides to make his next film about the search for the existence of the supernatural, making himself the center of the experiment - allowing demonologists, necromancers, and various practitioners of the occult to try the deepest and darkest spells and rituals they can find on him - in the hopes that when they fail, he'll once and for all have proof that religion, spiritualism, and the paranormal are nothing more than myth. But something does happen. An evil and horrifying force has taken over Michael King. And it will not let him go.

The son of an eccentric detective steps into his father's shoes after his mother is wrongly arrested for stealing a baby panda.

It's after midnight when Mel and Jules, two young women, return to LA from holidays in Mexico; they jump in a shuttle to head downtown. The other passengers are a nervous accountant and two frat boys, one who's been hitting on Jules. They're soon on unfamiliar, deserted streets - to avoid a traffic jam, says the driver - then things go from bad to worse. What's going on and where are they headed? Guns, knives, chains, a tattoo, and medication play in the resolution.